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  • January8th

    Saturday morning began at the Marietta GWTW Museum for a little Vivien Leigh Get Together at 9:17 a.m. We met near the Vivien Leigh section of the Museum and I requested that everyone bring something from their collection to ‘show and tell.’ For my ‘show and tell,’ I brought a few publications from the 1960s club called The Vivien Leigh Society. VL fan Robert brought a brooch once owned by Vivien Leigh and Kendra brought her scrapbook full of rare photos. Then Dr. Chris Sullivan, owner of the collection housed in the Museum, provided everyone with an up close and personal tour of the Vivien Leigh cases. I wish, though, it had been a quieter moment so that I could have discussed with everyone our favorite actress in more depth. Next time! I brought every attendee of the get together a DVD copy of The Deep Blue Sea- a rare Vivien Leigh film that was never released on video. It’s always a wonderful experience honoring and discussing the fabulous Vivien Leigh!

    The Museum was buzzing! It was packed with Windies and the celebrities. Saturday morning was the final autograph opportunity with the stars and the visiting authors. Dr. Sullivan also provided personalized tours of the Museum to fans. This GWTW Museum is my absolute favorite and I enjoyed looking around– there were new things to look since my last visit in 2007! For example, Dr. Sullivan recently acquired some chairs featured in the film. Specifically, the chairs were from Scarlett’s & Rhett’s house. The one chair you may recognize from the infamous “I’ll put my hands so – one on each side of your head – and I’ll smash your skull between them like a walnut, and that’ll block him out.” If you’ve never visited this treasure trove, you must! Read about it on Vivien-Leigh.com HERE. Since I already had my autograph signing moment, I enjoyed the Museum. I took a ton of photos and enjoyed meeting people in the Museum and the gift shop. For example, I was introduced to Robert Rostermann, a long time Vivien Leigh fan. He was in town from Chicago and he and I had a charming chat on a bench. He told me he was a member of the previously mentioned Vivien Leigh Society (at that point I showed him one of the publications I had brought). He also described to me his experience seeing Vivien Leigh on the stage in Duel of Angels in Chicago (multiple times) and Tovarich (on opening night) on Broadway. He met her backstage a couple times and he even had a drink with her in Chicago- she had never heard of the cocktail named Scarlett O’Hara! He was such a kind man, and he shared many stories with me. I hope to speak with him again in the near future.

    After the excitement of the morning, I actually had a few moments of ‘down time.’ I enjoyed a restaurant establishment on the historical Marietta Square for lunch. No big surprise when Robert Osborne was seated near me 30 minutes later. I should note that he had a copy of Herb Bridges’ book Gone with the Wind: The Three Day Premiere in Atlanta. He read it throughout his solo lunch. After lunch I retired to my hotel room at the Marietta Hilton to prepare for the grand finale of the weekend, the Strand’s showing of Gone with the Wind! The big screen showing was preceded by a vintage car parade from the Hilton to the theater. It so happened that I was running late and caught the beginning of the parade at the hotel! I adored seeing all the shiny, classy cars pull up and welcome the stars, authors and special guests. The parade was police escorted so the parade received the royal treatment in Marietta!! I arrived and parked just in time to see the tail end of the parade as it arrived in front of the theater. The red carpet unfurled to greet its VIPs.

    Inside the theater, and by ticket only, a special few (it was a sold out event), had the opportunity to wine and dine (on appetizers) with the stars and authors before the big show. It was a splendid last opportunity to speak at length with the friends I made that weekend. The theater seating was assigned and I was not seated next to anyone I knew. I had a second row, aisle seat so big thanks to Connie Sutherland, the GWTW Museum director, for giving me such a fabulous seat! Robert Osborne introduced the film (and told a story about how he met Vivien Leigh backstage) and a special audio recording made by Olivia de Havilland. De Havilland lives in France and was unable to attend the event. I must say that watching GWTW with a room full of fans is unlike anything! Everyone cheered when Vivien Leigh and Clark Gable first appeared and everyone laughed at everything– even things you never thought might have been funny! Aunt Pittypat, for instance, got a laugh anytime she spoke! It was a wonderful experience watching the film with people who appreciate every word and every scene.

    Olivia De Havilland addresses the audience via prerecorded audio.

    This video hows the inside the theater before the showing of GWTW. The stars are seated in the 2nd row next to me. An organist plays music from the film.

    Please note that pictures from the entire weekend can be viewed at Vivien-Leigh.com. Click HERE to view them!

  • December29th

    I’ve added a new article to the Vivien Leigh Article Database- here’s a sneak peek! I found it interesting that she said Cleopatra was her favorite role. She talks about Scarlett, the critics, and the best compliment she’s ever received.

    Written by: Alan Dent

    Appeared in the Sunday Telegraph, July 9, 1961

    The dismantled music hall would have been a somewhat depressing ambiance if it had not been for the presence of Vivien Leigh in a white crinoline, reclining in a yellow armchair.

    She was talking to me between scenes of Dumas’s “The Lady of the Camellias,”  being rehearsed at the Finsbury Park Empire before leaving for Australia to begin a two-year tour with a specially chosen Old Vic company. This opens on Wednesday with “Duel of Angels.”

    “Let me babble.” she said  babbled delectably of what might almost be described as the grandest tour ever. The first part takes in the Antipodes and the far East, Tokyo, Manila, Bombay, Bangkok. Then, after a rest at home, in 1962, “we begin the second half of the world tour starting in Paris where we have been invited to play in Jean-LouisBarrault’s theatre. Furthermore when I introduced myself to Madam Furtszeva the other day she said she would be delighted if we went to Russia, and I hope that will be arranged. From there onwards the tour is planned to take in South and North America.

    “The idea of this tour was mine originally,” she said “I suggested  it to Bobby Helpmann, who suggested it to the Old Vic which could hardly agree more.  About half of the company are Old Vic players.”

    Besides the Dumas, the touring repertoire  will include “Twelfth Night” and Giraudoux “Duel of Angels.”

    The success of the latter, a “difficult” play, did not surprised her as much as it has surprised some other people.

    ” The first time I read it- there are only two new plays I have ever read which have kept me awake- one was ‘The Skin of Our Teeth’ by Thornton Wilder and the other was ‘Duel of Angels.’ I remember telephoningBinkie Beaumont the next morning and saying ‘I want to do it. I don’t mind which part I play. I just think it is the most wonderful play.”

    To continue reading this article, please visit the Vivien Leigh Article Database, or CLICK HERE.

  • June30th

    If you are a Katharine Hepburn fan or a classic film fan, then I need your help! Katharine Hepburn’s personal performance wardrobe was bequeathed to the Kent State University Museum, and beginning in the fall of 2010, they will exhibit this amazing collection. The Museum is hoping to get a commemorative US Postal Stamp released in honor of Ms. Hepburn but they need your help to convince the selection committee. I hope fans will send in their letters of support. I’ve developed a short sample letter–please feel free to use it or use it as a base for your own letter. Can I count you in?

    PS: Bit of trivia… Katharine Hepburn attended Vivien Leigh & Laurence Olivier’s impromptu wedding in California.

    SAMPLE LETTER:

    Citizen’s Stamp Advisory Committee

    c/o Stamp Development

    U.S. Postal Service

    1735 North Lynn St., Suite 5013

    Arlington, VA  22209-6432

    Dear CSAC Committee Members:

    I am writing in support of the issuance of a United States commemorative postage stamp to honor Katharine Hepburn, renowned film and stage actress. During her 6 decade Hollywood career, Ms. Hepburn became the greatest American female star with unequaled 4 Best Actress Oscars, 8 Golden Globes, and 1 Emmy Award. She was a forward-thinking, independent woman who has solidified herself as an American icon in film, theater, and fashion. As you may be aware,  Kent State University and the Kent State University Museum were given Ms. Hepburn’s personal collection of her performance wardrobe, and more than 30 of Hepburn’s productions are represented in the collection. The Museum intends to exhibit this amazing collection beginning in the fall of 2010. I ask the Committee to give careful consideration to a postage stamp commemorating Ms. Katharine Hepburn and the upcoming 25th anniversary of the Kent State Museum. Ms. Hepburn made a significant contribution nationally and globally, and she deserves this recognition.

    Kindest Regards,

    (your name)

  • June29th

    Last week I used an Amazon.com giftcard to purchase the A Streetcar Named Desire DVD for my Vivien Leigh library. Tomorrow night I plan to pop it in and watch it for the first time in 10+ years. As many of you know, Vivien won her second Academy Award for the role of Blanche DuBois. Vivien and playwright Tennessee Williams had a great deal of respect for each other. In Alan Dent’s Vivien Leigh: A Bouquet, Williams remembers Vivien. Here is what he wrote:

    “There may have been, in her time, as beautiful a lady, but if there was, I never encountered her. Her appearance was flawless. Her social behavior was a bit unpredictable owing to the nervous torment that I am afraid she always had to live with. But it was always- in my experience- a marvelously styled behavior. She gave beautiful, delicately controlled, performances in two of my films, A Streetcar Named Desire and The Roman Spring of Mrs Stone. I would say that, as a general thing, actors do not like playwrights, but for some reason, God knows what, Vivien seemed to understand me and like me. Could it be that she realized that I lived with the same nervous torment? Or was it that she knew I was enchanted by her? When she was not too tormented, she was capable of the most discreet and exquisite kindness. An incident in point: A few years ago, in New York, she gave a dinner party and invited me and my closet friend to it. This friend of mine was dying of lung cancer, but he (Frank Merle) wanted to see Vivien whom he loved as I did. I called her from a public phone-booth and told her his condition, but that I felt it would do him good to see her again. Although his illness was obviously in a terminal state, Vivien treated him at the party as though he was perfectly well. In a completely unostentatious way, she devoted most of her charm and attention to him, and for the first time in weeks he seems to forget his depression. Another person than Vivien might have treated him with a concern for his condition that would be obvious. But there was nothing of that. There was only a delicately exhibited affection for him. He was happy that evening. If for no other reason, I would always-will always- feel that she was a magical sort of person. “